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Quotidianità dei segni rupestri (2015)



Museum Circuit of Lazio National Ethnographic and Prehistoric Museum “Luigi Pigorini”

Quotidianità dei Segni Rupestri represents the second chapter of the Declinazioni di Comunità series, created and curated by Emanuele Rinaldo Meschini as part of the Torno subito project. Promoted by the region of Lazio, Declinazioni di Comunità is a contemporary art program divided into three exhibitions aimed at analyzing the relationship between artists and community in relation to the Pigorini Museum’s ethnographic and prehistoric collections. The exhibition Quotidianità dei Segni Rupestri, on show from May 7 to May 30 2015, is curated by Emanuele Rinaldo Meschini and Alessandra Serges. The work oftwo artists, Hitnes (Rome, 1982) and Il Baro (Paolo Baraldi, Bergamo,1977), creates a dialogue between street art and the prehistoric and protohistoric rock art found in two importantinternational sites – Tadrart Acacus in Libya (VII-I millennium BC) and the Valle Camonica in Italy (Brescia, V-Imillennium BC). In particular, this dialogue comes from the need to grapple with issues surrounding the current concept of street art as it moves into galleries and becomes increasingly self-referential, yet tries to re-establish contact with primitive forms of public communication. Both Tadrart Acacus and Valle Camonica, with their unique representations, cast a light on a primitive concept of public communication. By bringing together narrative and visual vocabulary, this “pre-communication” fused different layers of communication into the first “identity” narrative.

The artistic output Hitnes created for the Pigorini Museum dialogues with the rock paintings of Tadrart Acacus, primarily the reproductions created during Fabrizio Mori’s missions. The Mori Collections, a body of rock art reproductions created between 1958 and 1969 by Piero Guccione and Lorenzo Tornabuoni, is currently conserved in the museum. These collections were the inspiration for the Roman artist’s work, who used the concept of reproduction as a starting point in creating a series of painted rocks inspired by Saharan motifs. The technique developed by Guccione, which he himself defined as “false rock,” entailed recreating rock backgrounds on canvas, which Hitnes, in this instance, has contorted by using real stones and creating “false artifacts” that consist of dreamlike zoomorphic figures.

2)Ammotraghi e cespugli di mirto pitture arancio e rosso con dettagli in giallo. Ciclo pastorale. Iervia, valle di Aztla (HTNS). Collezione privata.
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SANBA (2015)



The SANBA project in the roman neighborhood of Sanbasilio lasted 28 days in the rainy february winter. This work wouldn’t be possible whitout the help and support of the Sanbasilio comunity, in particoular my grate little helper Tommaso! The project was organized and curated by WAlls. The movie and the photos were made by the Blind Eye Factory guys.

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La Macchia dell’Unicorno (2015)



Creato dal tempo come molte altre figure fantastiche, l’unicorno è formato da tasselli di cronache e leggende, che uniti tra loro, gli hanno attribuito sembianze e significati sempre diversi. L’unicorno fra questi lavori non c’è. O Forse non è visibile. Si vede invece una fitta macchia di fiori, da dove l’unicorno è sfuggito ai cacciatori che lo braccano. Opera ispiratrice di questo “labirinto vegetale”, formato da 31 dipinti su carta, è il ciclo di arazzi fiammingo sulla “Mistica caccia dell’unicorno” (XV secolo). Questa perenne primavera irta di allegorie sulla dolcezza e le crudeltà della natura, è l’unicorno stesso. Sulle tele, ispirate alla lettura Junghiana, l’unicorno diventa invece il mercurio dell’arte ermetica, si osserva la fiamma liquida di una formula alchemica, macchia che brucia il suo stesso eroe rendendolo altro. Muta la sua forma e diventa i suoi nuovi significati.

“Nel quattrocento avanti Cristo, il medico di Artaserse Mnemone, il greco Ctesia, descrive velocissimi asini selvatici che popolano i regni dell’Indostan, di pelo bianco testa purpurea, occhi azzurri sulla fronte un corno che alla base è bianco,rosso in punta, ed in mezzo perfettamente nero. Plinio il Vecchio ne riporta altre caratteristiche ( Naturalis Historiae libroVIII, 31) In india si caccia anche un’altra fiera, l’unicorno, che per il corpo assomiglia al cavallo, ma per la testa al cervo, per le zampe
all’elefante, e per la coda al cinghiale. Il suo muggito è profondo. Un corno lungo e nero s’erge in mezzo alla sua fronte. Dicono che sia impossibile
prenderlo vivo. Al principio del VII secolo, nell’enciclopedia di Isidoro da Siviglia (Etimologiae XII libro), è riportato che una sola cornata dell’unicorno basta per uccidere un elefante: questa immagine ricorda l’analoga vittoria del karkadàn (rinoceronte) nel secondo viaggio di Sinbad, di quest’ultimo diceva che se
spaccato in due, il corno mostrava la figura di un uomo. Nemico dell’unicorno era il leone: in un’ottava dell’epopea The Faerie Queen è descritto il combattimento in cui il leone affronta l’unicorno davanti ad un albero e quando questi lo carica, il felino si scosta e l’unicorno rimane inchiodato al tronco. Questi versi si possono datare tra il secolo XVI, e il principio del XVIII, l’unione dei regni d’Inghilterra e di Scozia metterà nello stemma della Gran Bretagna: il leopardo (leone) inglese e l’unicorno scozzese. I bestiari Medievali insegnano che l’unicorno può essere catturato da una bambina: “Come lo prendono. Gli mettono davanti una vergine e lui salta in grembo alla vergine e la vergine lo abbraccia con amore e lo porta al palazzo del re.” Molti e famosi arazzi illustrano questo trionfo, le cui applicazioni allegoriche sono le più disparate: lo Spirto Santo, Gesù Cristo,
un amante, il mercurio e il male sono stati simboleggiati dall’unicorno. Nell’opera Psycologie und Alchemie (1944), Karl Jung narra la storia di questi simboli e li analizza. Un cavallino bianco con zampe posteriori d’antilope, barba di capra ed un lungo e ritorto corno sulla fronte, è la rappresentazione abituale di quest’animale fantastico. Jorge Luís Borges Manuale di zoologia fantastica(1957)

Sono l’antico drago che è ovunque sulla terra, giovane e vecchio forte e debole, morte e resurrezione, visibile e invisibile, duro e morbido; discendo nelle profondità della terra e salgo al cielo, sono il più alto e il più basso, il più leggero e il più pesante… tenebre e luce… si sa chi sono e tuttavia non esisto affatto. Karl Gustav Jung Psycologie und Alchemie (1944)

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Milano.Teatro Ringhiera (2014)

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I was called to collaborate whit Tellas\Ciredz\G-Loois\Nelio\Xuan Alife to paint the whole exterior of Teatro Ringhiera in Milano. Thanks to all the teatro’s crew

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Vicenza (2014)

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​In Vicenza the association “JEOS” curated the works on 9 gates of a mall, I have got number 7.

The tale of “Ammazzasette”(kills seven) tells of a fearful young, that tortured by flies, one day killed seven in one blow. Happy with the result, he began to brag about it, and some thought that he spoke of enemies, rather than flies. He acquired such fame that, not only did not clarify the misunderstanding but continued to feed it. With the result that he was named captain of the King.

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Berceto (PR) (2014)

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​At the legendary Squinterno Festival in Berceto, on the Appenino’s mountains.

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Bamberg (2014)

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Zeit Geist Festival, Bamberg, Deutschland. danke Doc.Sebastianus Magnus

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NewYorkCity (2014)

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Some walls in the big apple…

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FromStreetToArt (2014)

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“FromStreetToArt” a collective exhibition of italian street-art, curated by Simone Pallotta. From the 20 ofJune till the 20 of August 2014, at the Italian Institute of Culture in New York, showing the works of : Agostino Iacurci, Aris, BR1, Cyop&Kaf, Dem, Eron, Hitnes, Sten&Lex, Ufo5, 2501.

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Mal’ d’ Africa (2014)

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​At EgoGAllery in Lugano, every artist got inspired by the pieces of a famous collection of African artifacts exposed whit the art-works

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Christchurch.New Zeland (2014)

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Australia (2014)

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​January-February-March 2014 I came back to Australia ... paint and adventure

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Lo storno e la mosca invisibile

etching • paintings (2013)



Una psicosi dolce quella del Cedro.

Il lavoro è un’interpretazione delle idee e dell’immaginario, del etologo e filosofo J.von Uexkull, nel libro “Ambienti animali ambienti umani”.Fra le pagine del capitolo sugli “ambienti magici”, cioè luoghi di un’esperienza soggettiva eccezionale, l’esperienza del giovane storno e della mosca immaginaria diventano il ritratto di una suggestione con protagonisti ben definiti: il rame, i segni e l’inchiostro interpretano la psicosi e il colore, il pennello e l’acqua il soggetto.

Sweet is the Citron’s psychosis.

The work is an interpretation of the ideas and the imaginary of the philosopher and ethologist J.von Uexküll, in the book"Animal environments and Human environments”.Among the pages of the chapter on “Magic Environments”, places of an exceptional subjective experience, the experience ofa young starling and an imaginary fly becomes the portrait of a suggestion whit defined characters: the copper, the signs and the ink interpret psychosis and colors, brush and water play the subject.

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Il Nido.Falconara marittima

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“Il Nido” (the nest) is a glass painting project at the Ancona’s airport Raffaello Sanzio, in Falconara marittima. for the POPUP! festival 2013 thanks to MAC. Painted whit natural colors on the glasses of the “arrivals hall” now the painting is departed.

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Vodnjan. Croazia. (2013)

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​Boombarstick Festival in Istria…

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Ex Snia. (2013)

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Ex.Snia, Roma
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Rosolina Mare (2013)

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​A 40meters WaterTower in Rosolina Mare, for Deltarte festival

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Chicester (2013)

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​Chichester UK, at Chichester street art festival

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Via delle Conce (2013)

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A redevelopment project for the walk way under the rail bridge of Via delle Conce in Testaccio\Rome. In collaboration whit Lucamaleonte and 999gallery

Paginae Naturalis (2013)

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“A botany book without illustrations would be like a geography book without maps.”
John Ray, 1684.

Paginae naturalis is an exhibition of acrylic paintings on paper, a collection of naturalistic illustrations, a “wunderkammer’ of colored spots, a figment of the imagination.

The work of Hitnes, whether painted straight on to a wall, drawn on paper, or etched on copper, always interprets and draws inspiration from the forms found in the natural world.

The 135 pieces in this exhibition follow the species of animals within the collections of the Museo Civico di Zoologia of Roma, and are shown alongside the specimens prepared by taxidermists, in the same cases.

Art mimics science. Art concocts science. Animal forms infuriate, brushstrokes capture the essence of claws, feathers become dashes of colour, and attention is gripped by the minute details of a beak.

Paginae naturalis is a catalogue of “semi-false” painted animals, and their fictional categories, where the painter uses his mark to play with reality that melts into a blurred imitation.

www.paginaenaturalis.com

Foto di Attila Remai

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Campo Basso.“Draw the line”



Another year at Draw the Line festival…thanks to Mr.Roccia, Cesira the goose,and Associati Malatesta

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Foligno (2012)



​Attack Festival 2012 . Lotta di dinosauri . whit ericailcane

Moskow (2012)

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I was invited to the project “THE WALL” in the Winzavod museum, in Moscow. Spasiba Igor, master Pavel and Kirill.

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Napoli (2012)

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Bologna (2012)

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Salidas (2012)

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Mexico City, March 2012, at Fifty24Mx gallery, Hitnes and Ericailcane’s exhibition.

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Mexico (2012)

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January 2012, me and Ericailcane had some adventures in Mexico… painting and travelling

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various#4 (2011/2012)

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Terni (2012)

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Campobasso (2011)

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​The first edition of Draw The Line festival, in Campobasso, at the bus terminal of the city… climbing whit all the Malatestas

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Arles (2011)

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In the city of Arles for one night of painting

the city of Arles is protected by Unesco's laws as human patrimony
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Foligno • Attack festival (2011)

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Schwarzwald (2011)

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Roma, june 2011

The exhibition was held at the GRANMA in via dei gelsi 111, (Centocelle)Roma

Schwarzwald, the “black forest” in german, is the name and the atmosphere of the 12 etching that form the work. The plates are engraved whit etching, mezzotint, and drypoint. Printed in a series of 1\15 thanks to the master engraver Patrizio Di Sciullo.

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Urbanizeme (2011)

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The collective exhibition URBANIZEME, took place in the galleria Cavour in the center of Padova, in november 2011

Meleagrindio Obligranus\ 2011\ acrilic on paper

Teramo (2011)

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Shenzen (2011)

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June-July 2011, China called again! Between Cetonias,rain of mangos,giant Cassowaries . . .

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The nativity fountain (2010/2011)

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The Casa delle Letterature of Roma, conceived as a cultural centre specialized in Italian and foreign literatures of the twentieth century, is located within the prestigious Borrominian architectural complex of the ancient Oratory of the Philippine Friars in Piazza dell’Orologio, one of the most beloved sites of the whole municipal library network.

In this exquisit place, every year take place a christmas exhibition

focused on the “Nativity” theme.

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Various#3 (2010)

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Roma
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Dafen (China) (2010)

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Ancona POPUP! (2010)

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S.Arcangelo di Romagna (2010)

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Some walls realized for the “Festival dei Teatri” whit some friends

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Strike (2010)

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Roma, (csoa STRIKE) hitnes\ericailcane

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Terni (2010)

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Hitnes+DeM+ericailcane for Nutrimenti festival thanks to Palmetta

Urban signs (2006)



​The work I created for the collective exhibition Urban Signs in Schio (VI) is a series of book pages painted whit acrylic : Pagine Nere

luna • 27x19 cm \acrylic on paper
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Round Robin#3 (2010)

graffito • acrilics on paper



A site specific mural and installation for the group exhibition Round Robin#3

Firenze 2010, Galleria Biagiotti ... www.artbiagiotti.com

“The court of the Owls” is the time of light and darkness, the time of creation and destruction, only the eyes will be capable of interrogate themselves on this kind of time, replying slipping on the walls of his meandering plots. It is an “ornithologycal forest” filled whit symbols, tricks and treasures, reflection of the infinity of the animal kingdom. A realm without a real king, where the end is an endless beginning.

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Various#2 (2009)

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​Some walls in Roma

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Pisa (2009)

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2009 • "prendo l'amore" 100x100 mm \etching on copper

acquaforte#5 (2009)

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Various#1 (2008)

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Tasmania (2008)

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Back in Australia, I moved to Tasmania for some time, fishing and painting.

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Museo di Entomologia (2005\07)

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​In 2005 and 2007 The entomology museum of the Zoology faculty of Rome commissioned me to paint the interior and the exterior walls

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Appiano Quart#2 (2007)

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Rome, the Appiano train station, 3000 square meters,, in collaboration whit the association zerouno3nove

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xilographia (2004/2006)

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2014 shark 10x6cm linoleum
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MATERIA\Hitnes (2004)

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​One of the series of personal exhibitions MATERIA, curated by Cantiere S.Bernardo in Pisa, in the deconsecrated church of S.Barnardo

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1)Boa constrictor(divinit del sogno), pittura verde, rossa e arancio, pigmenti bianchi. Ciclo delle mappe delle piane di caccia. Nesio, valle di Aztla (HTNS). Collezione E. L. B. - N catalogo 15\rep.0206

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6)Coccordillo, pittura blu e turchese con pigmento bianco e rosso. Coccodrilli, diversi tipi di pesci di fiume, pigmento turchese e rosso. Ciclo delle mappe delle piane di caccia. Nesio, valle di Aztla (HTNS). Collezione E. L. B. - N&a

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1)Chirottero (Divinit notturna). Ciclo delle mappe dei cieli notturni. Strigi, valle di Aztla (HTNS). Collezione E. L. B. - N catalogo 3\rep.0069

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2)Pseudocelacanto, pigmenti turchese e bianco, Serranidi pigmenti turchese e rosso. Ciclo delle mappe di caccia dei mari di Coota. Panulirus, valle di Aztla (HTNS). Collezione E. L. B. - N catalogo 6\rep.0043

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3) Tre allocchi, pittura verde, pigmento rosso e bianco. Ciclo delle mappe dei cieli notturni. Strigi, valle di Aztla (HTNS). Collezione E. L. B. - N catalogo 3\rep.0057

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2)Leone antropomorfo (abitante della notte), pigmenti nero e bianco. Ciclo delle mappe dei cieli notturni. Strigi, valle di Aztla (HTNS). Collezione Privata.

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5)Varano delle sabbie(divinit delle pietre), pigmento rosso e violaceo. Due file di Curculionidi in pittura rossa e blu. Ciclo delle mappe delle piane di caccia. Nesio, nella valle di Aztla (HTNS). Collezione E. L. B. -

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3)Antilope cervo, pigmenti e pittura rossa, bianca e nera. Scimmie pigmento nero, verde e rosso.(canto del tempo delle scimmie). Ciclo delle mappe delle piane di caccia. Nesio, valle di Aztla (HTNS). Collezione E. L. B. - N cat

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7)Oche da caccia, pittura gialla, pigmenti rosso e bianco. Corvidi in pittura nera e bianca. Ciclo delle piane di caccia. Avis, valle di Aztla (HTNS). Collezione E. L. B. - N catalogo 7\rep.0667

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Tommaso

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squids and bat whit tellas ...

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the ground in front of the theater was flowered by the crew, the actors and the people from the neighborhood

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the mural at the Jugendzentrum ...

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... whit restoring beverages...

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...and ghosts from the past .

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... on a roof top in Brooklyn thanks to NyStreetGallery

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in the streets of Bushwick thanks to BrooklynStreetArt and Bushwick Collective…

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Site specific mural on the staircase of the Italian Institute of Culture

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I focused on the american Quilt-art, using different fabrics, I sewed and stitched two Quilts inspired by the artist-naturalist John James Audubon...

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... whit the grate help of Henny B.

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J.J.A.'s Quilt 1 \ 138x 145 cm\ acrylic on canvas, sewed fabrics

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J.J.A.'s Quilt 2 \ 175x 168 cm\ acrylic on canvas, sewed fabrics

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"From Street To Art" at ICI of New York
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the Bamoun (Camerun) mask representing an elephant, as a royal symbol only dignitaries could dance whit this mask, displaced on the head horizontally

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acrylic paint on a piece of raw canvas

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a Bamoun (Camerun) mask representing a buffalo, animal symbol of strenght, courage, and power. Buffalo masks where used in dances for the rulers celebrations and coronations.

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a Bamoun (Camerun) mask representing a buffalo, animal symbol of strenght, courage, and power. Buffalo masks where used in dances for the rulers celebrations and coronations.

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acrylic paint on a piece of raw canvas

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Land of wonders, I spent some time in New Zealand

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...met new friends

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painted in the city of cones, Christchurch.

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cheers Underground Pete, Ruben&Gunnie;

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Melbourne lanes

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Adelaide, the year of the horse ...

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...in collaboration whit VAnStheOmegA

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Nick's Yard, hidden in the magic bush...

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...whit Vans,Palms, and biuty Seedy-sea

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met old friends

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Toowoomba, for FirstCoat festival

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Back in Tasmania...

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...Coota Rocks

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Port Adelaide...

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another good collaboration whit VansTheOmega, thanks to Sue and Guildhouse

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Adelaide... photo A.Nale

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... thanks TheMill

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Melbourne for a last work whit VansTheOmega, captured by the lens of L.Shirlaw

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The Mill Adelaide Presents | Pulteney St Mural
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external wall...

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...some more in the "square"...

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...whit Andreco, Alleg, Bastardilla and Ericailcane

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...fox and finches

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London UK, in Dulich

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HITNES & LUCAMALEONTE - Catalogo in Progress

microbubo diluculo
23x31.5 cm

aidolon penitentis
25x38 cm

phantacignus hithesianus: amantes
63x45 cm

Pn

microchelis malacologica
27,5x50 cm

    • paleogator crocodilus
115x40 cm

vetusbufo spectabilis

auferotoctopus aufere
30x41 cm

gasterotenia sola
27,5x44 cm

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Webcampob2

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just one hour outside moskow my friend 03331C brought me to a Young Pioneer camp abbandoned and swallowed by the forest ...

a collaboration whit mr.03331C

on the rooftops of Moscow, whit doc. STAS DOBRY.

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Converse - Wall to Wall: Naples
Webbolo2

Webbolo5

Webbolo3

Webbolo

Webbolo1

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03
Tetraodontide Minor, pen and watercolour on paper, 12x16 cm

05
Thynnus Capitalis, pen and watercolor on paper, 26 x 18 cm

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Camaronius Ixtapiensis, pen and watercolour on paper, 12x16 cm

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08
Gobiotis Negrus, acrilic on paper, 26 x 18 cm

10
Holocantio Maravillia, acrilic on paper, 26 x 18 cm

16
Raja Signalis, acrilic on paper, 18x26 cm

13

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this installation is named "essiccare", it's formed by 36 drawings of different sizes and dired out cray fish, shels and fishes .

37
Tetraodontis Obscuro, acrilic on papaer, 60 x 42 cm

43
Tetraodontide Salis, pen and watercolour on paper, 24 x 32 cm

38
Canis Leonardiensis, acrilic on paper, 60 x 42 cm

42
Raja Tasmandiensis, pen and watercolour on paper, 24 x 32 cm

40
Scorphena Phina, pen and watercolour on paper, 24 x 32 cm

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30
Cerchio vivo?, inck on paper, 59 x 42 cm

33
Cerchio vivo, acrilic on paper, 75 x 55 cm

21
Approfittare, pen and watercolour on paper, 24 x 32 cm

31
Danza della Muerte I, pen and watercolour on paper, 24 x 20.5 cm

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acrilic on wood pannel, this Dove of peace was shooted after painted by differnt tipes of guns and rifles.

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34
Buscar Salidas?, acrilic on paper, 70 x 100 cm

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23
Uacita Dolce Verso un Sinuoso, ink on paper, 25 x 35 cm

26
Uscita Con Notte Spezzata, ink on paper, 25 x 35 cm

24
Uscita Sulfumo dei Predator, ink on paper, 25 x 35 cm

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Exemplars 1, 2, 3, and Orione?, acrilic on leather

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a bus in Mexico City

Defe2

Defe
bananas in Mexico City

Defe1

Cholu
in Cholula whit Dhear ...

Cholu1

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...some more Cholula

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Veracrz5

Veracrz2
butterfies ...

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...and caterpillar

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Cosoliacaque in Veracruz state

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a water tower in Cosoliacaque

Veracrz

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magic surfers ...

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... La Saladita

Tepito
back in Mexico city en Tepito

Tepito1

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whit Don Gato y Lobito

Tepito3

Tepito2

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P1100803
whit Blu and Ericailcnae in Bologna

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some walls in Rome...

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... archeology of old works made in 2005

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Tern3

Tern1

Tern2

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    • Dscn9792

    • Dscn9794

    • Dscn9796

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...all the interventions had to be removable...

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... I collaborated whit Pozla, painting on paper ...

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...and glueing on the walls afterward...

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...and painting the ground.

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Webfoligno

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Vetro1

Screenshot20110611at8.14

Web acquitrino-esheriano

Web ersten-schwarzwald

Web fui-salamandra

Web-la-notte-dei-frutti

Web-nocturnal-hunting

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Schwarzwald, setting up
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Webcartolinas
Syrnium Visibilis\ 2011\ acrilic on paper

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Fringillidur Ovurillis\ 2011\ acrilic on paper

Webcacatu
Cacatuideo Wallacine\ 2011\ acrilic on paper

Webbirdos
Fraterculia Silvestre\ 2011\ acrilic on paper

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under the GranSasso ... for "Teramo street museum"

click and move to see the whole wall...

... Thanks for everything ... magic Zho,Jeffry,Yun and Urbanus, master Fai and Attila Remai for the photos !

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an unconventional wooden nativity "Presepe"...

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shaped wood and egg painted whit acrylic

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...and nine fishes that protect the night of nativity

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Fount3

Fount4

Fount7

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Torino. with Agostino Iacurci for PictourinFestival

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Roma

Dafen
Roma.

Pa111048
Roma.

Dafen2
Berceto (PR)

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with Ericailcane/ Allegra Corbo/ RUN

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Whit Ericailcane/ DEM/ Emaunele Kabu

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Whit Ericailcane/ DEM/ Emaunele Kabu/ RUN/ Andreco

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The mighty peacock,

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,the glass saint,

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,the struggle.

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the departure • 27x19 cm \acrylic on paper

owl eyes • 27x19 cm \acrylic on paper

Filippo's • 27x19 cm \acrylic on paper

Giovanni's • 27x19 cm \acrylic on paper

No! • 27x19 cm \acrylic on paper

hole • 27x19 cm \acrylic on paper

murena • 27x19 cm \acrylic on paper

fish • 27x19 cm \acrylic on paper

... • 27x19 cm \acrylic on paper

rain • 27x19 cm \acrylic on paper

volatile • 27x19 cm \acrylic on paper

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Details of the site specific painting ...

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Fugadigallo
"Fuga di gallo" acrylic on paper 18,50x15 cm

Testedipiume-2
" Testedipiume " acrylic on paper 29,8x15 cm

Testedipiume2-2
" Testedipiume due " acyilic on paper 29,8x15,5 cm

Fugadiquaglie
"Fuga di quaglia" acrylic on paper 26x15 cm

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with Master Mystery

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Hitnes @Horus Rome
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Trevi5web  meta
2009 • "prendo l'amore due" 100x100 mm \etching on copper

Balenaincisio  meta
2009 • "grand mer du balene" 10x10 cm \etching on copper

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Bamberg. Germany whit Fresko\Sign\VanstheOmega\ the HPZ crew\

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Roma.

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Roma

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S.Cristobal de las Casas. Mexico

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Roma.

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Immagine-019

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Museojoin
This is the first intervention on the interior walls in 2005

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Than the exterior walls in 2007 ...

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    • Etomologia

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 mg 1354

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 mg 1492

 mg 1370

 mg 1813

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Scale-sx-via-appiano 01

Scale-sx-via-appiano 02

Particolare-atrio-via-appiano 01

Particolare-atrio-via-appiano 02

 mg 1957

Rana-atrio-su

Alberixweb
2004 • untitled • 20x13cm • linoleum

Medusaweb
2005•box jellyfish • 30x22cm • linoleum

Gufocopiaweb
2005 • untitled • 22x30cm • linoleum

Trevi8web
2006 • la montagna di Teodoro • 21x28 cm • linoleum

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© Hitnes 2014